Ruby at School — Reading Notes
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Ruby at School — Reading Notes can be approached with a clearer sense of reading commitment from its source measurements: 55,482 words, 4 hr 2 min estimated reading time, and 7 detected text sections.
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I. RUBY IN MISCHIEF II. CARRYING OUT HER PLAN III. LOOKING FOR RUBY IV. CONSEQUENCES V. BOARDING-SCHOOL VI. PREPARATIONS VII. MORE PREPARATIONS VIII. READY IX. THE JOURNEY X. MAKING FRIENDS XI. AN OLD ACQUAINTANCE XII. MAKING ACQUAINTANCE XIII. GETTING SETTLED XIV. SCHOOL XV. BEGINNING SCHOOL XVI. MAUDE'S TROUBLES XVII. LEARNING XVIII. MISADVENTURES XIX. SURPRISES XX. PERSIMMONS XXI. MAUDE XXII. SUNDAY AT SCHOOL XXIII. GETTING READY FOR CHRISTMAS XXIV. FINIS
"SHE FILLED HER APRON WITH THE CRISP, FRESH COOKIES" . . . _Frontispiece_
RUBY AND HER MOTHER (missing from book)
RUBY MEETING MAUDE AT THE STATION (missing)
RUBY WRITING A LETTER HOME
"MRS. BOARDMAN WAS VERY PATIENT WITH THE SPOILED CHILD" (missing)
MISS KETCHUM AND THE CATERPILLARS (missing)
"OH, IT HAS DONE SOMETHING TO MY MOUTH!" (missing)
READING THE INVITATION TO AGNES (missing)
It does seem quite too bad to begin a new Ruby book with Ruby in mischief the very first thing; and yet what can I do but tell you about it? for it is very probable that if she had not been in this particular piece of mischief, this story would never have been written. "Nobody but Ruby would ever have thought of such a thing," Ann exclaimed, when it was discovered, and it really did seem as if Ruby thought of naughty things to do that would never have entered any one else's head.
Ruby had certainly been having one of her "bad streaks," as Nora called her particularly mischievous times, and perhaps this was because Ruby had been left to herself more than she had ever been in all her life before.
Mamma was sick, and she was only able to have Ruby come into her room when the little girl was willing to be very quiet and move about gently, so as not to disturb her; and she knew very little of what Ruby was about in the long hours which she spent in play.
All summer Ruby had been running wild, coming into the house only to eat her meals, or towards evening nestling down beside mamma, to talk to her for a little while about what she had been doing all day. I am afraid it was not very often that Ruby told her of the many things she had been doing of which she knew mamma would not approve at all.
When Ruby went over to Mrs. Warren's house to visit Ruthy, Mrs. Warren tried to have her do as she wished her own little girl to do, but she found it a very much harder matter to govern quick-tempered, impulsive Ruby than it was to guide her own gentle little daughter, and she often sighed as she thought how distressed Ruby's mamma would be if she knew how self-willed and mischievous her little daughter was growing without her mother's care.
Ruby's papa was very busy with his patients, and when he was at home he spent most of his time in the invalid's room, so he did not have any idea how much the little girl needed some one to look after her, and see that she did not get into mischief.
Ann did her best to take care of Ruby, but she had more work to do than usual, so she had very little time to keep watch of the little girl; and besides, Ruby would not mind Ann unless she said she would tell Dr. Harper if Ruby was naughty, and Ann did not like to complain of Ruby if she could help it.
Altogether you can see that Ruby had a pretty good opportunity to be just as naughty as she wanted to be; and every day it did seem as if she thought of more mischievous things to do than she had ever done in all her life put together before.
Ruby was having a very nice time this afternoon all by herself. It would have been nicer to have had Ruthy to help her enjoy it, but Mrs. Warren was not willing to let Ruthy go over to Mrs. Harper's, now that there was no one to see what the two little girls were about. Ruthy could be trusted not to get into any mischief by herself, but sometimes she yielded to Ruby's coaxing when she had devised some piece of mischief, and then no one knew what the two little girls would do next.
Some carpenters had been at work down by the stable, building a new hen-house, and Ruby had made a playhouse for herself with the boards they had left. She had leaned them up against the low branch of an old tree, with Ann's help, for the boards were rather too heavy for her to move alone, and so she had a tent-shaped house of boards in which she thought it was great fun to play.
Ruby's favorite story was the "Swiss Family Robinson," and she thought that no greater happiness could befall any one than to be cast away upon a desert island. As long as there did not seem to be any prospect of a desert island before her, when the largest piece of water she had ever seen in her life was the small shallow pond where the boys got water-lilies in summer, and skated in winter, she thought the next best thing would be to live in this little house, and not go home at all, except to see her mother.
She was very sure that the rest of the family would not approve of this plan at all, so she did not say anything to them about it, but determined to try it and see how she liked it, without running any chances of being forbidden.
One day, when she knew Ann was busy up in her mother's room, and no one would see what she was doing, she ran up to the garret, and brought down a pair of blankets, an old comforter, and the little pillow that belonged to the crib in which she had slept when she was a baby. She carried all these out to her little playhouse in the yard, and has only just tucked away the last corner of the comforter out of sight, when she heard the sound of wheels as her father's buggy drove into the yard.
Ruby ran out to meet him, afraid that he might come and look into her little wooden tent, and see what she had taken from the house. She was very sure that he would not at all approve of her plan of spending the night out there alone. She slipped her hand into his, and walked up to the house with him, and then ran back to her play.
After dinner she chose a time when Nora would not be in the kitchen, and carried some provisions down to her little house; for though she wanted to imitate the Swiss Family Robinson as far as possible, she was not sure that she would be able to find meals for herself as readily as they did; so, though biscuits and cookies were not at all the sort of food shipwrecked people generally eat, she thought that she had better lay in a supply of them, particularly as there were no kindly cocoanut or bread-fruit trees growing at hand.
She filled her apron with the crisp fresh cookies which Ann had just made, and with biscuit from the stone crock, and then spying a little turnover which she was sure Ann had made for her, she added that to her store.
It began to look quite like a castaway's tent, Ruby imagined, as she sat down in her little house and looked around. To be sure, you would hardly expect any one wrecked upon a desert island to have such a comfortable roof of boards over his head, and certainly one would not find a supply of warm, dry bed-clothing at hand, nor fresh cookies; but Ruby was quite satisfied, and she thought it would be great fun to spend the night out there all by herself, and imagine herself in the midst of a forest all alone. She shut her eyes, and as the wind rustled the branches of the tree, she pretended that she heard the waves breaking upon the shore of her desert island, and that chattering monkeys were jumping about over her head in the branches of great palm and tall cocoanut-trees.
If Ruthy could only be cast away with her it would be ever so much nicer, for then she would not have to enjoy it all by herself; but she reflected that it was just as well that Ruthy could not come over and play, for she probably would be afraid to sleep out there, and would cry and want to go into the house just when the play grew the most interesting.
No thought of fear entered venturesome Ruby's mind. It would be an easy matter for her to slip out of the house after she was supposed to be fast asleep in her trundle bed, which was not beside her mother's bed any longer, but in a room by itself. Ruby did not know that the the last thing her father did every night before he went to bed, was to go and take a look at his little girl, and see that she was sleeping comfortably; and very often he went into her room in the evening, soon after she had gone to sleep.
Of course she knew that she was going to do a naughty thing, but I am sorry to say that Ruby did not very often let that interfere with anything she wanted to do now, she had her own way so much.
She was so excited over her plan for the night that she was very quiet all the rest of the afternoon, and Ann said rather suspiciously,--
"You're up to some new mischief, Ruby Harper, I'll venture, or you would never be so quiet all at once. I know you. Now do be a good girl, and don't keep worrying your poor ma so about you."
"Never you mind what I am going to do," answered Ruby, pertly, and just then Ann saw that her cookies were missing.
"Well, where on earth are all my cookies?" she exclaimed. "Now, Ruby Harper, you tell me this very minute what you have been doing with them. I know just as well as anything that you never ate such a lot as that, and I don't see what you could have been doing with them. You go and get them and fetch them back to me right away."
Ruby made a face at her and darted away. She was not going to bring the cookies back nor tell where they were. What would she do when she was shipwrecked if she did not have a store of provisions in her hut, as she called her little house.
She knew it would not do to tell Nora about her plan, and she was so full of it that she felt as if she could not keep it to herself any longer, so she ran over to Ruthy's house.
She found Ruthy playing with her paper dolls on the wide back porch, and for a few minutes she pretended that she had come over to see her paper nieces and nephews, for the children always called themselves aunts to each other's dolls.
"Oh, I have got a plan to tell you about, Ruthy," she said presently. "I don't want any one to hear me telling you about it, so let's go down under the apple-tree, with the dolls."
Ruthy gathered up her children, and in a few moments the two little girls were sitting side by side on the low bench, which Ruthy's father had put there just for their comfort.
"It's the grandest plan," began Ruby.
"Am I in it, too?" asked Ruthy, half wistfully and half fearfully. She always liked to be in Ruby's plans, and felt a little left out when her little friend wanted to do without her, and yet sometimes Ruby's plans were so very extraordinary that she did not enjoy helping to carry them out at all.
"Well, you could be in it, only you see you can't very well," Ruby answered in a rather mixed up fashion.
"Why can't I?" Ruthy asked.
"Well, I'll tell you all about it, and then you will see that you couldn't very well," Ruby answered. "But first of all you must promise me honest true, black and blue, that you will never, never breathe a word of it to any one."
"Not even to mamma?" asked Ruthy, who always felt better when she told her mother all about everything.
"No, not to anyone in all the wide world," Ruthy answered. "I won't tell you a single word unless you promise, and you will be awfully sorry if I don't tell you, for this is the most splendid plan I ever made up in all my life. It is just like a book."
Ruthy's curiosity overcame her scruples about knowing something which she could not tell her mother.
"All right, I won't tell a single person," she said, earnestly. "Tell me what it is."
"Promise across your heart," Ruby insisted, for just then the little girls had a fashion of thinking that promising across their hearts made a promise more binding than any other form of words.
"I promise, honest true, black and blue, 'crost my heart," Ruthy said very earnestly, and then the two heads were put close together while Ruby whispered her wonderful secret.
No one could have heard them, not even the birds in their nests up in the tree, if she had spoken aloud, but a secret always seemed so delightfully mysterious when it was whispered, that she rarely told one aloud.
"I am going to be cast away on a desert island," she said, and Ruthy's blue eyes opened to their widest extent.
"Why, how can you, when there is n't any desert island anywhere near here for miles and miles?" she exclaimed.
"Oh, you are so stupid," Ruby exclaimed impatiently. "Of course I mean to pretend I am cast away. I am going to pretend that down by the barn is a desert island, and that little house I have built with boards is my hut, and I am going to sleep out there all by myself to-night, and I have some provisions and everything all ready."
"But will you dare stay out there all alone when it gets dark?" asked Ruthy in awed tones, feeling quite satisfied that she was left out of this plan, for she knew she should never dare to do such a thing, no matter how much Ruby might want her to join her.
CARRYING OUT HER PLAN.
"Of course I would dare," answered Ruby, positively. "I am not such a coward as you are, Ruthy. You see, even if your mamma would let you come over and stay at my house, so you could be in the plan, it would n't be of any use, for it would be just like you to get afraid as soon as it was dark, and then you would cry and want to go back into the house."
"I am afraid I would," Ruthy answered meekly, not resenting the accusation of cowardice. "I should think you would be afraid too, Ruby; and then what will your papa and mamma think when they find out in the night that you are gone."
"They won't find out," answered Ruby, easily disposing of that objection. "You see I shall wait till after they think I have gone to sleep to go out to my hut. I will get most undressed to-night at bed-time and then put my nightie on over the rest of my clothes, and when papa comes in to kiss me good-night he will never think of my getting up again. Then I will creep downstairs as softly as a mouse, and out into the yard. It will be such fun to roll up in the blankets, and pretend that they are the skins of wild animals, and I shall lie awake for ever so long listening to hear if any bears come around, or lions. Oh, it will be such fun," and Ruby's eyes sparkled. Ruthy looked troubled.
"I don't think it will be a bit nice," she said presently. "I don't believe your mamma would like it one single bit; and suppose somebody should carry you off when you are out there all by yourself."
"You just can't make me afraid, I guess, Ruthy Warren," sniffed Ruby, scornfully. "You are such a 'fraid-cat that you never want to do anything in all your life but play paper dolls. I might have known you would n't see what fun it is to play Swiss Family Robinson. Now don't you dare tell any one a single word about it. Remember you promised across your heart."
"I sha'n't tell," Ruthy answered, "but I do wish you would n't do it, Ruby. Why, I shall be as scared as anything if I wake up in the night and think that you are out there in your house all alone in the pitch dark. I should be so frightened if I was you that I would just scream and scream till some one heard me and came and got me."
"I would n't have such a baby as you to stay with me," Ruby said. "I am going to do it just as sure as anything, Ruthy Warren, and if you breathe a word of it to any one so I don't get let to do it, I will never, never speak to you again as long as I live and breathe."
"Of course I sha'n't tell when I promised," Ruthy replied, a little hurt at Ruby's doubting her word. "Maybe you won't do it after all, though. Perhaps when it gets dark you will be frightened."
"I never get frightened," Ruby said, tossing her head. "Now I must go home, Ruthy. Come and walk part way with me, won't you?"
"I'll ask mamma," Ruthy answered, and gathering up her paper dolls she ran into the house, coming back in a few minutes with two red-cheeked apples for the little girls to eat on their way, and permission to go as far as the corner with Ruby.
Ruby could talk and think of nothing but her great plan for the night, and Ruthy pleaded with her in vain to give it up. The little girl was so troubled about it that she wished Ruby had not told her about it. She did not see how she would ever be able to go to bed that night, and go to sleep, thinking of her little friend out alone in her little house down by the barn. In the bottom of her heart she wished that Ruby would be caught by Ann on her way out of the house, and prevented from carrying out her plan, but she did not dare whisper this wish to Ruby, as she knew how angry it would make her to think of her plans being thwarted.
By the time Ruby reached home another plan occurred to her busy brain. Nora was not far from right when she said that Ruby could think up more mischief than any three children could carry out. Suppose it should be cold in the night. Ruby could not quite remember what time in the year it was when the Swiss Family Robinson were shipwrecked, but she knew they had to make a fire. She would get some shavings and some little sticks, and get a fire all ready to light in her hut, and then if it should be cold, and she should want to light a fire, it would be all ready.
The very first sentence of Ruby at School announces a pattern that governs the entire narrative: Ruby is in mischief, and the story exists because of that mischief. The narrator immediately frames Ruby’s actions as uniquely inventive—"Nobody but Ruby would ever have thought of such a thing"—and links her misbehavior to a specific circumstance: her mother’s illness leaves Ruby "running wild" with minimal supervision. This opening establishes a structural tension between domestic order and the child’s unsupervised freedom, a tension that the boarding-school setting will reconfigure rather than resolve.
Mischief as Narrative Engine
The opening chapter does not simply report a prank; it presents Ruby’s mischief as the story’s origin. The narrator’s aside—"if she had not been in this particular piece of mischief, this story would never have been written"—makes the plot dependent on Ruby’s impulsive acts. This is reinforced by the household’s vocabulary: Nora calls Ruby’s phases "bad streaks," and Ann declares that only Ruby could conceive such tricks. The mother’s illness is not just a plot device but a structural cause: "Mamma was sick, and she was only able to have Ruby come into her room when the little girl was willing to be very quiet." Ruby’s freedom is thus a byproduct of enforced stillness elsewhere in the house, creating a rhythm of confinement and release that will recur throughout the book.
Gifts as Markers of Transition
When Ruby receives a writing desk before leaving for school, the description lingers on its contents: silver pen-holder, colored envelopes stamped with "H," and a sealing-wax outfit with a pond-lily candlestick. The desk is not merely a gift; it is a miniature system for maintaining connection across distance. The narrator notes that Ruby’s delight peaks at the sealing-wax—"the chief charm of the desk"—because it allows her to mimic adult letter-writing rituals. This moment echoes the earlier pattern of Ruby being left to herself: the desk is a tool for solitary communication, a bridge between home and school. The key worn on a blue ribbon becomes a physical token of this transition, something Ruby can touch to remember both the gift and the giver.
Arrival and the Shyness of New Beginnings
Chapter XIII, "Getting Settled," opens with Ruby and Maude feeling "very shy" among unfamiliar girls. The porch and lawn become transitional spaces where the two friends walk hand in hand, observing the croquet set as something "new to Ruby." The narrator emphasizes the mutual curiosity of newcomers and residents: "the scholars who had already come … looked at them half curiously and half shyly." This scene mirrors the opening chapter’s dynamic of observation and limited freedom: Ruby is again in a setting where she must learn rules (the game of croquet) and navigate social boundaries. The movement from porch to lawn to the interior of the school repeats the pattern of entering a new, supervised space after a period of relative liberty.
Recurring Images of Containment and Release
Throughout the excerpts, images of confinement recur: the sickroom where Ruby must be quiet, the desk that locks with a tiny key, the boarding-school with its structured lawn and porch. Yet each confinement is paired with a release: Ruby runs wild in summer, she unlocks the desk to write letters, she walks on the lawn with Maude. The sealing-wax kit, with its "wee bits of candles" and tiny candlestick, epitomizes this pattern—a contained flame that can be lit and extinguished at will. The narrator’s voice, which frequently interjects with comments like "I am afraid it was not very often that Ruby told her of the many things she had been doing," reinforces the sense that the story is a selective revelation, a controlled glimpse into a child’s hidden world.
The Narrator’s Intrusive Presence
The narrator of Ruby at School is not a neutral observer but a character in her own right, frequently addressing the reader directly. In the first chapter, she admits, "It does seem quite too bad to begin a new Ruby book with Ruby in mischief the very first thing; and yet what can I do but tell you about it?" This confessional tone establishes a complicity between narrator and reader, as if they are sharing a secret about Ruby’s nature. Later, when Ruby receives the desk, the narrator withholds the best detail for last: "there was still something else, that I think she liked better than everything else in the desk put together." This technique of delayed revelation mirrors the book’s larger structure, where the consequences of Ruby’s mischief are gradually disclosed.
Readers attentive to the book’s recurring images—the locked desk, the sickroom door, the croquet hoops—will notice how each object marks a boundary between freedom and constraint. The narrator’s knowing asides invite us to watch Ruby navigate these boundaries, but the excerpts leave open whether her "bad streaks" will be tamed or redirected. The story’s movement between home and school, between mischief and quiet, is less a linear progression than a cycle, one that the final chapter, titled simply "Finis," may or may not close.
There’s something tender about how Ruby’s restlessness keeps surfacing between the walls of school and the gifts she’s given—little freedoms she can’t quite hold. It reminds me of the boys in that other old story, trading one vast landscape for another kind of waiting. Winter Adventures of Three Boys in the Great Lone Land — Text and Context holds that same quiet ache of wanting to move when the world says stay.
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