Madge Morton's Trust — Key Ideas to Explore
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For Madge Morton's Trust — Key Ideas to Explore, the stored edition analysis reports 57,307 words, 4 hr 10 min estimated reading time, and 7 detected text sections.
The text analysis averages about 13.8 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Friendship -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.
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- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
She looked tired, but her big black eyes were eager with interest.
She held a fat letter in her hand which contained many pages. At the top of the letter was a pen-and-ink drawing of a miniature houseboat with five girls running about on the deck, their hair blowing, their skirts awry. One of them held a broom in her hand; she was the domestic Eleanor! Another waved a frying pan; Miss Jenny Ann Jones, Chief Cook and Chaperon! The third girl was drying her long, blonde hair in the sun; Miss Lillian Seldon, the beauty of the houseboat party!
The girl in the hammock recognized herself: she was feeding a weird-looking animal on four legs with a spoon. And standing among the others, apparently talking as fast as she possibly could, and doing no work of any kind, was a young woman whom the artist had carefully labeled "Madge."
Phyllis Alden laughed until the tears rolled down her cheeks. She could not recall having laughed in two months, and she was sure she would keep on giggling as long as she read her letter.
"Miss Alden"--a woman in the uniform of a professional nurse appeared at the door--"your mother says do you know where the twins are? She is restless about them. I promised her I would come to you. I am sorry to disturb you; I know you are tired."
"Not a bit of it, Miss Brazier," insisted Phil stoutly. "Those dreadful babies! I had forgotten I had not seen them in the last half hour. Of course, they are in mischief. I will look for them right away."
Phil thrust her precious letter into her blouse. It was four o'clock in the afternoon and her letter from her chum had arrived in the morning post. These were busy days for Phyllis Alden. Early in May she had been called home from school by the illness of her mother. Since that time the care of her father's house and looking after the irrepressible twins had been Phyllis's work. Her mother was better now, on the sure road to convalescence, and Phil had begun to confess to herself that she was tired.
At one side of the house there was a rain-barrel. It was strictly forbidden territory, so Phil knew at once where to look for the twins. Hanging over the edge of the barrel were two fat little girls with tight black curls. They were bent double and were fishing for queer, bobbing things that floated on the surface of the rainwater. A firm hand caught Daisy by one leg. Dot, terrified by her big sister's sudden appearance, tumbled into the barrel with a gasp and a splash.
Phil felt half-vexed; still, she was obliged to laugh at the little ones, they looked so utterly roguish.
"Frog in the middle, can't get out," she teased the small girl in the center of the barrel. Then she fished Dot out and started with both little maids for the house to make them presentable before dinner. Phyllis knew that they must both be washed and dressed before she would have another chance to peep at her precious letter. Still, it comforted her to think how amused her Madge would be by her funny little four-year-old twin sisters and their mischievous ways.
It was just before dinner time when Phyllis firmly locked her bedroom door and took her precious letter from her blouse. She would read it now, or die in the effort. It began:
"I am not writing you from 'Forest House,' but from no other place than the famous old city of Boston, Massachusetts. I came here the other day because I believed I would find news of my father, but I was disappointed and am going back home in a few days.
"But I don't want to write about myself; I want to write about you, dear old Phil! I am so glad your mother is better. When she is quite well, can't you come to visit Nellie and me at 'Forest House'? We have missed you so. The Commencement exercises at Miss Tolliver's were no fun at all this year. When Miss Matilda got up and announced that Miss Phyllis Alden had been called home before the final spring examination because of the illness of her mother, and would, therefore, be passed on to the senior class of her preparatory school on account of her high standing in her classes, I cheered for all I was worth, and so did every one else.
"Ah, Phil, dear, it has been ages since last I saw you! I would give all my curls, and my hair really makes a long braid nowadays, if I could only see you. How I wish we could spend the rest of this summer on our beautiful houseboat! The poor little 'Merry Maid'! How lonely she must be without us. Tom Curtis and Jack Bolling wrote and asked me to let them tow us up the Rappahannock River this summer. They are going on a motor trip. But, alas and alack! we haven't any money to pay our expenses, so I fear there will be no houseboat party this summer. It's dreadfully sad, but, more than anything else, I regret not seeing you, Phil. With my dearest love. Write soon. Your devoted
Phyllis finished her letter with a warm feeling around her heart but a sigh on her lips. No "Merry Maid" this summer! Well, Phyllis had not expected it, yet it seemed cruel to think of the four girls and Miss Jones being separated for another year from their "Ship of Dreams," where they had spent two wonderful holidays.
The story of how Madge Morton, Phyllis Alden, Lillian Seldon and Eleanor Butler came into possession of a houseboat is fully set forth in the first volume of this series, entitled "MADGE MORTON, CAPTAIN OF THE 'MERRY MAID.'" The happy summer spent by the four young women on board the "Merry Maid," chaperoned by Miss Jenny Ann Jones, one of the teachers in the boarding school which they attended, was one long to be remembered.
While anchored in a quiet bit of water, a part of the great Chesapeake Bay, they made many friends, chief among whom were Mrs. Curtis, a wealthy widow, and her son Tom. Mrs. Curtis's instant liking for Madge, her subsequent offer to adopt her, and the remarkable manner in which Madge and Phyllis were instrumental in discovering their friend's own daughter, who had been lost at sea years before, in a poor fisher girl whom they rescued from her cruel foster father, formed a lively narrative.
"MADGE MORTON'S SECRET" told of the girls' second sojourn on their houseboat, which was anchored near Old Point Comfort. There the girls saw much of the social life of the Army and Navy, and it was while there that Madge incurred the enmity of a young woman named Flora Harris, who made the little captain's life very unpleasant for a time.
The mysterious cutting of the "Merry Maid's" cable on a stormy night, the voyaging of the little boat out into the bay, and the island shore to which she drifted in the gray dawn, and how, after living the life of young Crusoes for many weeks, they were rescued and returned to their sorrowing friends, made absorbing reading for those interested in following the fortunes of Madge Morton.
But to go back to the subject of Phyllis Alden: She and her father, Dr. Alden, were firm friends. Every evening since her mother's illness they had taken a walk together after the twins were safely tucked in bed. It was a pleasure to which they both looked forward all day. To-night they were late in getting away from the house, and, as they strolled along through the quiet streets, Phyllis was unusually silent. She had told her father of Madge's letter, but she had not mentioned her invitation to visit Madge and Nellie at their home in Virginia. Phil did not think she could be spared from home and did not wish to worry her father. Yet all the time that Phil was so silent Dr. Alden was wondering where he could send Phyllis to spend a well-earned holiday. He did not have much money to spare, but his beloved daughter must somehow be given a rest.
Phyllis and her father were almost home again when the girl thought she heard some one running behind them. She turned with apprehensive suddenness. The night was dark and the streets were narrow; only at the corners the electric lamps made bright, open spaces. Under one of these lights Phyllis looked back fearfully. She could barely discern a figure. It was walking close to the fence and seemed to be carrying something. Phil could not discover what it was, and Dr. Alden, who was slightly deaf, heard nothing.
Suddenly a watchdog set up a furious barking and rushed out into the street. Phil felt more secure. If any one were lurking in the shadow with the thought of attacking her father, the dog would surely come to their rescue. Yet now she could hear six feet pattering after them instead of two. The dog must have been won over by their enemy.
"Father"--Phil put her hand nervously on her father's arm; she was not herself to-night; she was tired and full of unexpressed longings for her friends--"wait!" Phil ended her sentence abruptly. Some one distinctly called her name, "Phil!" it echoed down the empty street.
Dr. Alden and his daughter both turned. Yet it was impossible to see any great distance beyond them. They were in the light, while the shadows down the sidewalk were densely black. Some one was coming toward them, though it was difficult to know if it were a man or a woman.
Straight into Phil's arms whirled a breathless girl, her hat on one side, her curly hair tumbling down and her eyes as bright as the fireflies that flickered through the dark streets. The girl carried a heavy suit case, and a large dog walked protectingly at her side.
It was Madge Morton. She had arrived alone and unannounced in the city of Hartford at a perfectly incredible hour of the night!
Dr. Alden was overcome with surprise. He had heard Phil give a cry of rapture, saw a suit case drop to the ground, then two girls meet in a joyful embrace.
"I might have known you would come when I needed you most, Madge," cried Phil rapturously. Phil was not really surprised by her chum's appearance. She knew that the most astonishing things in the world were just the things that Madge Morton would do as though they were the most natural.
"Is your mother better?" whispered Madge. "For goodness' sake, Phil, dear girl, let me tell your father who I am and how I happened to appear at this unearthly hour." Madge put her hand into the doctor's. "Please forgive me, Dr. Alden," she began. "I wrote Phil I was in Boston and about to start for home. I was on the way to the depot to buy my ticket when suddenly I remembered that I wasn't so far from dear Phil. I have been wanting to see her so dreadfully. So I just telegraphed Uncle and Aunt that I was going to stop over in Hartford a few hours.
"Of course, we had a wreck on the train, so here I am, only six hours late. When I came in at the station to-night I just inquired what car I should take to bring me to your address. And wasn't it funny? I saw you and Phil cross the street at the corner, so I jumped off the car and ran after you. I thought this old dog was going to eat me up, but the dear old fellow has adopted me instead."
Madge patted the strange dog affectionately with her left hand. Phil had never let go of her right one.
"I hope you will forgive my dropping in on you like this. I am ashamed of myself, but I just had to have a look at Phil."
"You've dropped from heaven! You are an angel unawares, Madge Morton," vowed practical Phil Alden in devout tones. "I was never so glad to see anybody in my life. Now, if you leave me to-morrow, I shall surely die."
Madge laughed happily. How good it seemed to be with dear old Phil once more. Dr. Alden picked up her suit case and looked at her with earnest, kindly eyes.
"Daughter," he said kindly, "I am almost as pleased to see you as Phil is. Come home with us. You must be worn out from your journey."
For the first time Madge realized that she was a little tired and that she had been a little frightened at arriving alone in a strange city at night. But then she was with Phil.
THE DOCTOR'S SUGGESTION
Madge fitted marvelously into Dr. Alden's troubled household. She read to Mrs. Alden when the nurse was away, cheered her with funny stories and really helped her to grow well and strong.
As for the twins, Dot and Daisy, they were never absent from the little captain's side, except when Phil positively commanded it. Madge used to take long walks with one of them clinging to either side of her skirt. Where she found her patience when they tumbled down, lagged behind and begged for more fairy tales every minute was a marvel. But Madge had been shocked at her beloved Phil's careworn appearance and came gallantly to her rescue. She might have little consideration for strangers, she could do wonders for the people she loved and one long look into her friend's tired face made her resolve to do her best for Phil.
The next morning after Madge's unceremonious arrival Dr. Alden wrote a letter to Mr. and Mrs. Butler, asking them to allow Madge to make Phyllis a visit. Madge also wrote a note, but it was not in the nature of a request. Instead, she dashed off the following letter to her Virginia relatives:
"DEAREST AUNT AND UNCLE:
"Don't worry about me. I am at Phil's and having the best kind of a time. I am going to stay with her for a few days, as she needs me. Do I hear any dissenting voices? I hope not! Tell Nellie we miss her terribly. With lots of love to all of you. Don't bother to write. I'll take the will for the deed.
"There," declared Madge as she skipped up the steps after handing her letter to the postman, "that will stifle all Virginia objections. Now, I am going to enjoy myself while I am with dear Phil."
In the days that followed Madge's declaration she helped Phil keep house with a will. Dr. Alden used to call her "The Second Daughter," and Madge derived untold pleasure from the drives she took with him over the country roads to see his patients.
One afternoon, however, as they jogged along toward the home of a patient who lived several miles from town, Madge was unusually silent. Though the air was sweet with the perfume of honeysuckle, and their road ran through a particularly beautiful bit of country, she was dreamy and abstracted.
From time to time Dr. Alden gazed at her humorously. His fellow-passenger was in a deep reverie and had forgotten his presence.
"Thinking of your houseboat, eh, Madge?" he inquired.
"Yes, Doctor Man," answered Madge quickly, "of the houseboat and Phil." She sat very straight in the buggy, and, drawing her level brows into a frown, said slowly: "I was saying over to myself that when five nice, capable young women wish a very special thing very much they ought to be able to obtain it. You see, we wish to spend the beginning of the summer on the houseboat. It would be splendid for Phil. But we haven't the money, so I am trying to find out how to get it."
The physician's eyes twinkled. "That is not a new occupation, Madge. Most of us spend our time in trying to get hold of that same mighty dollar. But we have to work for it as well as to think about it. I wonder if you girls wish the holiday on your boat badly enough to work for it? If only I could give you the money!"
Madge looked earnestly at the doctor, then said slowly: "That's just it. Of course, we are willing to work for the money. But I must find out what we can do in a hurry. You see, we need the money at once."
After they reached their destination, the doctor stayed a long while at his call on his country patient, and Madge, left alone in the buggy, had plenty of time to devise a thousand schemes for acquiring riches and to dismiss them all as impracticable. The physician had driven his old horse inside the trim yard of his patient, and the road lay near the big front porch door. The little garden was as pretty and tidy as the pictures in Kate Greenaway books. It grew tall hollyhocks, neatly cut hedges, and a riot of old rose bushes. Madge might well have spent her time in gazing at it, as it was a typical New England garden on a small scale. But it seemed too tiny and conventional to the little captain, whose inner vision conjured up the sight of the great, oak-shaded lawn at "Forest House." Just then she had more practical problems to occupy her attention. She let the reins fall loosely on the horse's neck, for he was in the habit of standing without being hitched. To-day old Prince grew tired with waiting and began to nibble at the short grass. Madge, lost in her daydreams, paid no heed to him. The horse moved on. Ahead there was a particularly delicious bunch of tall, feathery grass, which had been allowed to grow unaccountably high. It was a rare shrub, but the old horse was not aware of it. The wheel of the buggy that held the heedless driver passed over the high porch step. The girl inside felt herself let gently down on the ground and a high, black canopy covered her. Then, at last, Madge became alive to the situation.
But it was too late! Old Prince was frightened. The noise of the overturned buggy had upset his nerves. He began to run--not very fast, but fast enough so that Madge found herself being dragged along the ground over the smooth grass lawn. She couldn't crawl out from under the buggy and she certainly did not wish to remain under it. She raised her voice in one long cry of terror.
A boy had been working back of the house. He was in his shirt sleeves and had an old, torn, straw hat pulled down over his eyes. An ugly scowl was the only attention he had paid to the doctor and Madge as they drove into the yard. His face was flushed, not so much from the sun as from the anger that was raging within him. It was hard enough to work like a slave for a cranky old maid, without being constantly "pecked at." David believed that he hated every one in the world. Yet at Madge's shrill cry for help he dropped his rake and ran toward the front lawn. He saw the overturned buggy, heard the noise that came from underneath it, but he could see no sign of Madge. Dr. Alden had also dashed from the house onto the front porch. He was followed by a woman of about sixty years. Her hair was parted in the middle and she wore little bunches of corkscrew curls over each ear, in the fashion of half a century ago. "Oh, my! Oh, my!" she cried, wringing her hands. "How can I bear it? how can I bear it?" One might have supposed that she were frightened over Madge.
Dr. Alden started in pursuit of the horse. But at his approach old Prince quickened his pace. "Stand still!" a peremptory voice called to him sharply. "Stop crying out!" the same voice ordered Madge.
Dr. Alden gazed in bewilderment at the speaker. Madge at the same instant realized that she must be frightening the horse with the noise she was making.
The boy with the torn hat advanced quietly toward the horse, showing no special interest in him. He called gently to the animal, holding out a bunch of grass. Prince was only frightened at the strange turn his affairs had taken. He now stopped for a minute. Immediately a firm hand seized his head.
Dr. Alden made a move toward his buggy. "Unhitch the horse," commanded the boy.
The opening chapter of Madge Morton's Trust introduces Phyllis Alden, a girl who has been called home from school to care for her ill mother and manage her father's house. She receives a letter from her chum Madge, topped with a pen-and-ink drawing of the houseboat party: five girls in comic poses, with labels like “domestic Eleanor” and “Chief Cook and Chaperon.” The letter provokes Phyllis's first laugh in two months, setting a tone of longed-for escape and camaraderie. Yet the domestic scene is immediately interrupted by a nurse asking about the twins, grounding the story in the tension between adventure and responsibility.
The Houseboat as a Stage for Character
The houseboat Merry Maid is more than a setting; it is a device that throws the girls together and exposes their personalities. In the letter drawing, each girl is defined by a prop: Eleanor with a broom, Lillian drying her hair, Madge talking while others work. This visual shorthand recurs in the narrative: Eleanor is domestic and anxious, Madge is talkative and impulsive. The houseboat allows for both freedom and confinement—the girls are away from adult supervision but must cooperate in close quarters. The story's tensions often arise from this forced intimacy, as when Harry and Eleanor get lost during a horseback ride, and Eleanor fears Madge will blame them for tarrying. The houseboat, then, is not just a vehicle for adventure but a pressure cooker for loyalty and misunderstanding.
Physical Danger and the Limits of Self-Reliance
Two incidents in the excerpts highlight the physical risks the characters face. First, Eleanor's horse shies near a precipice; her saddle girth breaks, and she falls, striking the rail fence that saves her from tumbling down the embankment. The injury is minimized—a bruised shoulder—but the moment is genuinely precarious. Second, the chapter “The Motor Boat Disaster” promises further peril. These episodes are not merely plot devices; they test the characters' resourcefulness. Eleanor tries to ride on despite pain, and Harry mends the girth, but they are lost and dependent on others. The narrative does not romanticize their independence; instead, it shows that self-reliance has limits, and that trust in companions is necessary. This pattern of danger followed by reliance on others recurs throughout the story.
Suspicion and the Outsider
A key tension in the excerpts is the suspicion surrounding David, a boy described as “rough and rude.” Harry advocates spying on him, believing he will “get us in trouble,” while Eleanor protests that spying is wrong and that David is not “positively bad.” This disagreement reveals a moral fault line among the friends: Harry's pragmatism versus Eleanor's sense of fairness. The story does not resolve David's character in the provided text, but the conflict sets up a pattern of judgment and trust that likely runs through the book. The title Madge Morton's Trust may refer to this very theme—whom to trust and how trust is earned or broken. The excerpts leave David's nature ambiguous, inviting readers to weigh evidence alongside the characters.
Readers should pay attention to how the houseboat setting shapes the girls' interactions and how physical challenges test their bonds. The story balances lighthearted adventure with moments of real danger and moral questioning. The excerpts suggest that trust is not given freely but must be negotiated, especially when an outsider like David enters the group. This is a story about learning whom to rely on—and why.
Reading about Madge’s distrust of David, how a stranger’s shadow clouds a sunny river, I remembered an old fear of the unknown—that same chill of judgment without proof. It drifted back to The Last Look: A Tale of the Spanish Inquisition — Themes and Context, where suspicion itself becomes the darkest character. Different worlds, yet the same uneasy heart.
Daniel Martin
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