This book is actually two short works bundled together, but the main event is the novella A Counterfeit Presentment. It’s a classic setup with a wonderfully awkward twist.

The Story

The story kicks off at the Ponkwasset Hotel, a peaceful summer retreat. Enter Arthur Bartlett, a landscape painter looking for some quiet. His arrival, however, sends shockwaves through one guest: Constance Gerald. The moment she sees him, she turns pale and flees. The reason? Bartlett is the spitting image of a man who once deceived and abandoned her.

Of course, Bartlett has no idea who she is. He's just confused and a bit offended by her obvious disgust. The situation gets messier as other hotel guests, including Constance's protective father and a well-meaning but nosy General, start piecing together their own theories. They all see the 'counterfeit presentment'—the fake version of a past villain—instead of the actual, decent man standing before them. The plot hinges on whether Bartlett and Constance can move past this bizarre first impression and discover each other's true character.

Why You Should Read It

What I love about Howells is his focus on everyday social disasters. There are no murders or stolen jewels here; the entire conflict is built on a look-alike. It’s all about the tension in a shared glance, a hushed conversation in the corner, and the agony of being unfairly judged. Bartlett is a great character because he's genuinely a good guy stuck in a nightmare of someone else's making. You feel his frustration deeply.

The story is a sharp, early look at the idea that our pasts—our old wounds and biases—can completely blind us to what's right in front of us. It asks if we can give someone a fresh start, or if we're always seeing ghosts. It’s a quick read, but it sticks with you because the situation feels so possible, so human.

Final Verdict

This is perfect for readers who enjoy character-driven stories and the subtle, cringe-worthy drama of manners. If you like Jane Austen's social observations but wish they were set in 1870s America, you'll feel right at home. It's also a great pick if you want a classic that doesn't feel like homework—it's accessible, smart, and moves at a good pace. Think of it as a sophisticated, one-hour play in book form, full of mistaken identity and second chances.